Selected Recordings

These recordings reflect different aspects of my practice. A more extensive catalogue, including a wider range of releases, can be found on my Bandcamp page.

Worm’s Theatre, 2026

I was commissioned to compose music for The Worm’s Theatre, an installation by artist Juliette Ezaoui, presented at GroundWork Gallery in King’s Lynn in January 2026. The work explores the hidden life of soil and how a subterranean ecosystem is deeply affected by human industrialisation. By responding to Ezaoui’s concept and visual language, I sought to reimagine the sensuous world in sound.

The compositions were made from the sounds of a guitar, where tones and textures are shaped through extended techniques and layering. The guitar becomes both a resonant body and a metaphor, responding to the interconnectedness with the more- than- human world.

Fragile recordings of worms provided by researchers from University of Warwick guided tone and rhythm throughout the composition process.

 

Sauna Studies, 2023

 

 

 

This album explores the unique sonic world of the sauna, recorded onsite in a traditional log cabin during the winter of 2023 in Finland. These sounds are familiar for anyone who has experienced a wood burning sauna; they carry a deep sense of anticipation and the promise of calm and tranquillity.

The opening track captures the roar of burning wood as the chimney sucks air through the stove. As the metal unit heats, its body begins to expand, producing a growing choir of frantic, rhythmic pings and pops.

In the second track focus in on the large hot water drum, revealing its spiralling reverberations and the delicate, intermittent fall of water droplets as water is scooped from the container.

 

Nico’s Grave, 2023

 

In the late summer of 2018, I temporarily relocated to Berlin, furthering my interest in intertwining environmental sounds and improvisation. I spent my early days getting a sense of place by following peaceful canal paths and navigating hidden hinterhauses, re-mapping my bearings away from the cars and traffic.

Soon I was drawn into the calm soundscapes of the Landwehr Canal in Neukölln – listening to the nuanced and distinct sounds – birdsong, echoes of a distant dog bark, rustling leaves, brief conversations heard here and there.

In the opening track, I recorded footsteps and the ambience of the forest from my walk to Friedhof Grunewald-Forst cemetery, where Nico, the German singer and model, is buried. The music in this album is based around guitar improvisations and responds to those subtle environmental recordings and walks, merging the two into a hybrid form of harmonics, rhythms and atmospheres.

frrreee mon cheri, 2023